000			05223nam a22002777a 4500
005			20230310110644.0
008			221022b ||||| |||| 00| 0 eng d
020			_a9780367527754
040			_cAL
041			_aEnglish
082			_223 _a001.6443 _bWHIT
100			_aHarold Whitaker and others _974921
245			_aTiming for Animation:40th anniversary edition
250			_a3
260			_aLondon _bCRC Press _c2021
300			_axvii,166 p. _bPB _c25x17 cm.
365			_a4938 _b₹3274.00 _c£42.99 _d₹4092.00 _e20% _f17-10-2022
520			_aTiming for Animation has been one of the pillars of animation since it was first published in 1981. Now this 40th anniversary edition captures the focus of the original and enhances this new edition with fresh images, techniques, and advice from world-renowned animators. Not only does the text explore timing in traditional animation, but also timing in digital works. Vibrant illustrations and clear directions line the pages to help depict the various methods and procedures to bring your animation to life. Examples include timing for digital production, digital storyboarding in 2D, digital storyboarding in 3D, and the use of After Effects, as well as interactive games, television, animals, and more. Learn how animated scenes should be arranged in relation to each other, how much space should be used, and how long each drawing should be shown for maximum dramatic effect. All you need to breathe life into your animation is at your fingertips with Timing for Animation. Key Features: Fully revised and updated with modern examples and techniques Explores the fundamentals of timing, physics, and animation Perfect for the animation novice and the expert Get straight to the good stuff with simple, no-nonsense instruction on the key techniques like stretch and squash, animated cycles, overlapping, and anticipation. Trying to time weight, mood, and power can make or break an animation—get it right the first time with these tried and tested techniques.
521			_aTable of Contents Timing for Broadcast Media Timing for Full Animation . Timing in General What Is Good Timing? The Storyboard . . Traditional Storyboards . Digital Storyboarding . . . 2D Storyboarding . . 3D Storyboarding—Pre-Visualization . . Additional Storyboard Effects . . . . Responsibility of the Director . . . Directing for Interactive Games . . . . The Basic Unit of Time in Animation . . Timing for Television, Web-Based Programming Timing for Features . . . . . . . Slugging . . . . Bar Sheets . . Timing for a Hand-Drawn Film: Exposure Charts or Exposure Sheets . . . Timing for an Overseas Production . Timing for a 2D Digital Production . . Timing for a 3D Digital Production . . . Timing for an Actor-Based Program (Performance or Motion Capture) . . . Animation and Properties of Matter . . Movement and Caricature . Cause and Effect . . . . . Newton’s Laws of Motion . Objects Thrown Through the Air . Timing of Inanimate Objects . Rotating Objects . . . Irregular Inanimate Objects Animate Objects—Characters Force Transmitted Through a Flexible Joint Force Transmitted Through Jointed Limbs Spacing of Drawings—General Remarks . Spacing of Drawings . Timing a Slow Action . Timing a Fast Action . Getting Into and Out of Holds . Single Frames or Double Frames? Ones or Twos? . How Long to Hold? . . . Anticipation . . Follow Through . . . Overlapping Action . . . . . . . Timing an Oscillating Movement . . . . . . . Timing to Suggest Weight and Force—1 . Timing to Suggest Weight and Force—2 . Timing to Suggest Weight and Force—3 . Timing to Suggest Weight and Force—4 . Timing to Suggest Force: Repeat Action . . Character Reactions and “Takes” . Timing to Give a Feeling of Size . Timing Cycles—How Long a Repeat? . .A Waving Flag . .Scenes with Multiple Characters . Effects Animation: Flames and Smoke . . . Water . Rain . Water Drops . Snow . . Explosions . . . 3D Digital Effects .Repeat Movements of Inanimate Objects . Timing a Walk . . Types of Walk . . Spacing of Drawings in Perspective Animation . Timing Animals’ Movements: Horses . . Timing Animals’ Movements: Other Quadrupeds . . Timing an Animal’s Gallop . . . Bird Flight . . Drybrush (Speed Lines) and Motion Blur . Accentuating a Movement . . Strobing . . . . Fast Run Cycles . . . . . Characterization (Acting) . . The Use of Timing to Suggest Mood . . Synchronizing Animation to Speech . Lip-Sync—1 . Lip-Sync—2 . . Lip-Sync—3 . . . Timing and Music . . Animating for Interactive Games . Traditional Camera Movements 3D Camera Moves . Peg Movements in Traditional Animation . Peg Movements in 3D Animation . Editing Animation . . . Editing for Feature Films . Editing for Television Episodes . Editing for Children’s Programming . Editing for Internet Programs Conclusion . 163 Index . 164
650			_aAnimation _960230
650			_aDigital production _960231
700			_aWHITAKER (Harold) _960232
700			_aHALAS (John) _960233
700			_aSITO (Tom) _960234
942			_2ddc _cBK
999			_c224912 _d224912