000 01584nam a22002057a 4500
005 20220910094333.0
008 220910b ||||| |||| 00| 0 eng d
020 _a9780745329833
040 _cAL
041 _aeng
082 _223
_a808.823
_bALFR
100 _aMatthew Alford
_957011
245 _aReel power
_bHollywood cinema and american supremacy
260 _aNew York
_bPluto Press
_c2010
300 _axiii,218p.
_bHB
_c22x14cm.
365 _2General
_aWORDI/2022/CRB/1323
_b₹3486.00
_c
_d₹4980.00
_e30%
_f26-08-2022
520 _aHollywood is often characterised as a stronghold of left-liberal ideals. In Reel Power, Matthew Alford shows that it is in fact deeply complicit in serving the interests of the most regressive US corporate and political forces.Films like Transformers, Terminator: Salvation and Black Hawk Down are constructed with Defence Department assistance as explicit cheerleaders for the US military, but Matthew Alford also emphasises how so-called 'radical' films like Three Kings, Hotel Rwanda and Avatar present watered-down alternative visions of American politics that serve a similar function.Reel Power is the first book to examine the internal workings of contemporary Hollywood as a politicised industry as well as scores of films across all genres. No matter what the progressive impulses of some celebrities and artists, Alford shows how they are part of a system that is hard-wired to encourage American global supremacy and frequently the use of state violence.
650 _2 Rhetoric of drama
_aLiterature
_957012
942 _2ddc
_cBK
999 _c224558
_d224558