000 | 01584nam a22002057a 4500 | ||
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005 | 20220910094333.0 | ||
008 | 220910b ||||| |||| 00| 0 eng d | ||
020 | _a9780745329833 | ||
040 | _cAL | ||
041 | _aeng | ||
082 |
_223 _a808.823 _bALFR |
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100 |
_aMatthew Alford _957011 |
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245 |
_aReel power _bHollywood cinema and american supremacy |
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260 |
_aNew York _bPluto Press _c2010 |
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300 |
_axiii,218p. _bHB _c22x14cm. |
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365 |
_2General _aWORDI/2022/CRB/1323 _b₹3486.00 _c₹ _d₹4980.00 _e30% _f26-08-2022 |
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520 | _aHollywood is often characterised as a stronghold of left-liberal ideals. In Reel Power, Matthew Alford shows that it is in fact deeply complicit in serving the interests of the most regressive US corporate and political forces.Films like Transformers, Terminator: Salvation and Black Hawk Down are constructed with Defence Department assistance as explicit cheerleaders for the US military, but Matthew Alford also emphasises how so-called 'radical' films like Three Kings, Hotel Rwanda and Avatar present watered-down alternative visions of American politics that serve a similar function.Reel Power is the first book to examine the internal workings of contemporary Hollywood as a politicised industry as well as scores of films across all genres. No matter what the progressive impulses of some celebrities and artists, Alford shows how they are part of a system that is hard-wired to encourage American global supremacy and frequently the use of state violence. | ||
650 |
_2 Rhetoric of drama _aLiterature _957012 |
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942 |
_2ddc _cBK |
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999 |
_c224558 _d224558 |