000 01814nam a22002057a 4500
005 20230324112232.0
008 220909b ||||| |||| 00| 0 eng d
020 _a9780230283787
040 _cAL
041 _aeng
082 _223
_a791.436521
_bPEBM
100 _aDonna Peberdy
_956971
245 _aMasculinity and film performance
_bMale angst in contemporary american cinema
260 _aNew York
_bPalgrave Macmillan
_c2011
300 _aix,219p.
_bHB
_c22x14.5cm.
365 _2General
_aWORDI/2022/CRB/1323
_b₹4235.00
_c
_d₹8469.15
_e50%
_f26-08-2022
520 _aMasculinity and Film Performance is a lively and engaging study of the complex relationship between masculinity and performance on and off screen, focusing on the performance of 'male angst' in American film and popular culture during the 1990s and 2000s. Building on theories of film acting, masculinity, performance and cultural studies, this book establishes a framework for studying screen masculinity and provides close analysis of a range of performers and performance styles. It also examines the specific social, cultural, historical and political contexts that have shaped and affected the performance of masculinity on screen, such as the aging baby boom and the launch of Viagra onto the marketplace, the 'Iron John' and 'Wild Man' phenomenon and the racially marked fatherhood crisis. Drawing from an array of illuminating film and actor case studies, including Bill Murray, Tom Cruise, Michael Douglas, Will Smith, William H, Macy, Denzel Washington, Broken Flowers, Far From Heaven, Pleasantville, Magnolia and Wonder Boys, this book offers a significant contribution to the emerging field of screen performance studies. Book jacket.
650 _2Psychological aspects
_aHistory and criticism
_956972
942 _2ddc
_cBK
999 _c224549
_d224549