Dialogue

By: Peter WomackMaterial type: TextTextLanguage: English Publisher: New York Routledge 2013Description: viii,164p. PB 19x13cmISBN: 9780415329224Subject(s): LanguageDDC classification: 401.43 Summary: Dialogue is a many-sided critical concept; at once an ancient philosophical genre, a formal component of fiction and drama, a model for the relationship of writer and reader, and a theoretical key to the nature of language. In all its forms, it questions 'literature', disturbing the singleness and fixity of the written text with the fluid interactivity of conversation. In this clear and concise guide to the multiple significance of the term, Peter Womack: outlines the history of dialogue form, looking at Platonic, Renaissance, Enlightenment and Modern examples illustrates the play of dialogue in the many 'voices' of the novel, and considers how dialogue works on the stage interprets the influential dialogic theories of Mikhail Bakhtin examines the idea that literary study itself consists of a 'dialogue' with the past presents a useful glossary and further reading section. Practical and thought-provoking, this volume is the ideal starting-point for the exploration of this diverse and fascinating literary form
List(s) this item appears in: PG New Arrivals - January 2023
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Item type Current location Collection Call number Status Date due Barcode Item holds
Book Book St Aloysius College PG Library
MA English 401.43 WOMD (Browse shelf) Available PG024124
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Dialogue is a many-sided critical concept; at once an ancient philosophical genre, a formal component of fiction and drama, a model for the relationship of writer and reader, and a theoretical key to the nature of language. In all its forms, it questions 'literature', disturbing the singleness and fixity of the written text with the fluid interactivity of conversation.
In this clear and concise guide to the multiple significance of the term, Peter Womack:
outlines the history of dialogue form, looking at Platonic, Renaissance, Enlightenment and Modern examples illustrates the play of dialogue in the many 'voices' of the novel, and considers how dialogue works on the stage interprets the influential dialogic theories of Mikhail Bakhtin examines the idea that literary study itself consists of a 'dialogue' with the past presents a useful glossary and further reading section. Practical and thought-provoking, this volume is the ideal starting-point for the exploration of this diverse and fascinating literary form

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