000 -LEADER |
fixed length control field |
01650nam a22002057a 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230324100952.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
220909b ||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780521581301 |
040 ## - CATALOGING SOURCE |
Transcribing agency |
AL |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Edition number |
23 |
Classification number |
302.2343 |
Item number |
MCGC |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Patrick McGee |
9 (RLIN) |
56973 |
245 ## - TITLE STATEMENT |
Title |
Cinema theory and political responsibility in contemporary culture |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
New York |
Name of publisher, distributor, etc. |
Cambridge University Press |
Date of publication, distribution, etc. |
1997 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xv,235p. |
Other physical details |
HB |
Dimensions |
22.3X14.4cm. |
365 ## - TRADE PRICE |
Source of price type code |
General |
Price type code |
WORDI/2022/CRB/1323 |
Price amount |
₹4138.00 |
Currency code |
₹ |
Unit of pricing |
₹8275.86 |
Price note |
50% |
Price effective from |
26-08-2022 |
520 ## - SUMMARY, ETC. |
Summary, etc. |
This 1997 book explores the political significance of aesthetic analysis in the context of cultural studies. It applies the theories of Adorno, Derrida, and Lacan to film studies, and asks how political responsibility can be reconciled with the concept of the university as a democratic institution. Art and the university, Patrick McGee claims, share a common feature: they are commonly regarded as autonomous realms that resist the determination of economic and political interests, while still playing a crucial role in ethical and political discourse. Through detailed reference to Neil Jordan's film The Crying Game, McGee shows how film can be both a product and a critique of the culture industry. He goes on to analyse the function of the university in producing interpretations of such highly political art forms and in determining the limits of critical discussion. McGee links Adorno with Derrida to provide a new route through cultural studies and the claims of political criticism. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Source of heading or term |
Social sciences |
Topical term or geographic name entry element |
Social Interaction |
9 (RLIN) |
56974 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
|
Koha item type |
Book |