Evolution of film (Record no. 221015)

MARC details
000 -LEADER
fixed length control field 02309nam a22002057a 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220427113322.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 211229b ||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780745634760
040 ## - CATALOGING SOURCE
Transcribing agency AL
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Edition number 23
Classification number 791.43
Item number HARE
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Janet Harbord
9 (RLIN) 12088
245 ## - TITLE STATEMENT
Title Evolution of film
Remainder of title Rethinking film studies
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Cambridge UK
Name of publisher, distributor, etc. Polity Press
Date of publication, distribution, etc. 2007
300 ## - PHYSICAL DESCRIPTION
Extent viii,198p.
Other physical details PB
Dimensions 21.7x13.5cm.
365 ## - TRADE PRICE
Source of price type code General
Price type code 4335
Price amount ₹2552.00
Currency code ₹
Unit of pricing ₹3190.00
Price note 20%
Price effective from 13-12-2021
520 ## - SUMMARY, ETC.
Summary, etc. How is film changing? What does it do, and what do we do with it? This book examines the reasons why we should be studying film in the twenty-first century, connecting debates from philosophy, anthropology and new media with historical concerns of film studies.<br/>When the common frameworks for studying film - the nation, identity, representation, Hollywood industry - have ceased to yield explanatory power, how do we conceive of film's doings? In this fresh and innovative book, Janet Harbord argues that film no longer represents or stands in for particular cultures, but acts isomorphically, showing us how the world works. Film here is action, energy, matter, moving across space to forge connections, provide encounters, and create schisms in our knowledge of others. The book brings together key thinkers of the contemporary in an innovative exchange between film and theory. Marc Auge's concept of 'non-place' is brought to bear on, and disrupt, the category of national cinema. Manuel DeLanda's notion of morphogenesis frames an understanding of film as a process of constant evolution, in which the terms of change are immanent to matter itself. And the concept of inertia, from Paul Virilio's work, allows us to comprehend the different energies of film. Arguing that there is no higher position from which to view the present, either in theory or in film, we move blindly and yet with faith, discovering the present frame by frame. The Evolution of Film demonstrates how this is an intangible yet critical medium in the contemporary, mediating relationships to place, technology and thought itself.<br/>The Evolution of Film will be essential reading for students and scholars of film at all levels.
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Source of heading or term Motion pictures
Topical term or geographic name entry element Film studies
9 (RLIN) 12089
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Book
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Date acquired Source of acquisition Cost, normal purchase price Total Checkouts Full call number Barcode Date last seen Cost, replacement price Price effective from Koha item type Date last checked out
    Dewey Decimal Classification     MA English St Aloysius PG Library St Aloysius PG Library 12/22/2021 Biblios Book Point 2552.00   791.43 HARE PG023486 08/24/2022 3190.00 12/29/2021 Book  
    Dewey Decimal Classification     MA English St Aloysius PG Library St Aloysius PG Library 12/22/2021 Biblios Book Point 2552.00 1 791.43 HARE PG023487 01/30/2024 3190.00 12/29/2021 Book 01/20/2024